lighting
THE QUARANTINE SALSA
Choreography, Dance, and Lighting all collide in this motion capture edit and render to explore not only the current state of quarantine but exist alongside the movement exploration of Latin forms. Vamos a bailar! Enjoy!
Made by LROD
©LROD
For our last study this semester, we were thinking about how the audience can participate while also folding in the first two studies and reshaping the work. We considered taking an easy approach to lighting and technology limiting down to what and why we use tech, light, sound, and movement. We chose to begin with making a dinner table set with place settings digitally. This work was inspired by Judy Chicago’s The Dinner Party (1974-79), a monumental feminist work of its time. Then, we decided to interact by having our cell phones engaged in the work. To talk through with the audience, to text other performers, and to capture video of the event. We also set up an interactive movement study to see if the audience would pick it up and – they did!
Feel free to skip through:
In reflection, this work seemed to be the easiest to complete, and we found a balance between interactions, technology, and movement that seemed to create a holistic environment. While it is important to consider what Marshall McLuhan said, “the medium is the message”… well, we are responding to the message (Dixon 2004). A couple of key questions sit on my mind: What are we saying with the technology we are in collaboration with? What are the stakes that surround this interdisciplinary landscape? The work feels open, free, and uncontained to a specific genre. In a sense Intermedia is freedom.
While maintaining a sense of freedom, I turn to Faye Driscoll’s (2014) Thank You For Coming: Attendance has been a huge influence on the work I do in considering interactivity and connection with the audience. I referenced Faye’s work in the earlier blog post. So when we talk about the community making the work and co-creating, co-authoring, and co-generating the outcome – we are interested in separating from technology for a moment to connect. This is a driving part of the work created in the final study. However, we demonstrated the interference technology has in our daily lives. The way we connect through media to interact has certainly come in full force.
Take a moment to enjoy this work and commentary:
As the semester came to a close, Norah Zuniga-Shaw asked us what Intermedia is. I responded:
Intermedia is a radical space that allows for interactive engagement that activates the performers, technology, and audience to explore a liminality of openness. This interdisciplinary space transforms the environment to teleport all parties to a sub-dimension of the unknown. Intermedia creates a visual distortion and appetite fostering the collaboration of technological humanness.
Intermedia moves without a container and allows your imagination to run in any direction possible. I gained more insight into the importance of light/projection, how to formulate collaboration within this setting, and how to build a structure around integrating technology. While also learning the array of equipment and programs in the MOLA lab. I am leaving this course with more questions than I entered, but I feel ready to engage and continue the exploration forward. Digital self-signing off for now.
Sources:
Dixon, Steve. 2004. “The Digital Double.” New Visions in Performance: “The Impact of Digital Technologies. Ed. Gavin Carver. Lisse: Swets & Zeitlinger, 2004. Print.
Driscoll, Faye. 2014. Thank You For Coming: Attendance. (Film) Walker Art Center. Published 2017. https://www.youtube.com/watch?v=dlB3MrBr2_M
©LROD